What major themes are strongly represented?
-Fate
-Violent Hate
-Love vs. Lust
-Love vs. Lust
How true to the text does the film remain?
-Large chunks of text are pulled from the film. Entire scenes are removed at times. I'd approximate that 70% of the text is still found within the film.
How true to the plot does the film remain?
-Extremely true. Despite the removal of certain scenes, the overall tone and tenor are accurate. Paris lives, but I can stomach that.
What is lost/gained by diverging away from the plot?
-Time Gained - The film is meant for a modern audience, so the film needs to last only 2 hours, instead of 3.5. This also impacts the overall feel of the play because while the first 3 Acts have sufficient time to build and develop, the last 2 progress extremely quickly, feeling slightly rushed. Romeo and Juliet's love builds strongly, but suddenly everything comes crashing down within the last 20 minutes
-Juliet's depth Lost - Act 4 Scene 3 (When Juliet takes the poison to feign death) is reduced to Juliet going to bed and taking the poison. Her soliloquy is eliminated completely which I found to be a shame, because it shows a little more maturity and foresight to be scared. I find myself relating to Juliet a bit more during her musings because it shows that she does think somewhat ahead. Before I'm constantly frustrated because she never takes a moment to consider the consequences of her actions, except for in this one scene. Hence, I was disappointed to notice it's removal
How does the costume/setting/language/cultural representation affect the themes in the play?
-Directors Interpretation - I found that the directors emphasis of certain elements played up the theme of fate more strongly in this version than others.
-Romeo and Juliet meeting at the party was established as a twist in the dance, not them meeting eyes across a crowded room, but more happy luck putting them together in a dance.
-The friar, while looking a statue of Christ has the sudden inspiration to marry Romeo and Juliet, suggesting divine intervention.
-As Romeo leaves to go to Juliet's tomb, he passes by the messenger from the Friar, suggesting that had he waited 5 minutes he would know the truth.
All these contribute to a much stronger feeling of a higher power at work here. Romeo and Juliet are doomed by fate from the beginning and that is more dramatically represented.

Would Shakespeare be rolling over in his grave if he knew about this interpretation?
-Negative. In most instances I feel that the portrayal of fate and hatred are more strongly represented than in other adapations-elements I think are necessary to the overall strength of the play.
What kind of interaction is there between main characters?

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